Penguin Random House
Naked Lens - Beat Cinema
Naked Lens - Beat Cinema
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Celebrating the celluloid expression of the Beat spiritarguably the most sustained legacy in U.S. countercultureNaked Lens is a comprehensive study of the most significant interfaces between the Beat writers, Beat culture, and cinema. Naked Lens features key Beat players and their collaborators, including William Burroughs, Allen Ginsberg, Jack Kerouac, Charles Bukowski, Brion Gysin, Antony Balch, Ron Rice, John Cassavetes, Andy Warhol, Bob Dylan, Klaus Maeck, and Gus van Sant.
As well as examining clearly Beat-inspired films such as Pull My Daisy, Chappaqua, and The Flower Thief, Jack Sargeant discusses cinéma vérité and performance films (Shadows and Wholly Communion), B-movies (The Subterraneans and Roger Corman’s Bucket of Blood), and Hollywood adaptations (Heart Beat and Barfly).
The second half of the book is devoted to an extensive analysis of the films relating to William Burroughs, from Antony Balch’s Towers Open Fire to David Cronenberg’s Naked Lunch. This book also contains the last ever interview with writer Allen Ginsberg, recorded three months before his death in April 1997.
As well as examining clearly Beat-inspired films such as Pull My Daisy, Chappaqua, and The Flower Thief, Jack Sargeant discusses cinéma vérité and performance films (Shadows and Wholly Communion), B-movies (The Subterraneans and Roger Corman’s Bucket of Blood), and Hollywood adaptations (Heart Beat and Barfly).
The second half of the book is devoted to an extensive analysis of the films relating to William Burroughs, from Antony Balch’s Towers Open Fire to David Cronenberg’s Naked Lunch. This book also contains the last ever interview with writer Allen Ginsberg, recorded three months before his death in April 1997.
